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REVIEWS

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El Cultural - 28/10/2019

El País - 18/7/2021

Moisés P. Sánchez was able to lift the pavilion with a first-class show, supported by his excellent band. His concert in Vitoria was a sample of one of the most compact and charismatic live performances we have in our scene.

Yahvé M. de la Cavada

Alberto Ojeda

Moisés P. Sánchez is able to distill the entire history of the genre and sound radically unique.

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El País - 14/6/2013

El Mundo - 16/5/2019

Our scene has not discovered so much talent and creative daring in such a grandiose way since the generational replacement of Pedro Iturralde and Tete Montoliu by Jorge Pardo and Chano Domínguez.

Pablo Sanz

Chema Gª Martínez

An audience follows him closely in the United States and Japan, where they have had their eye on him for a long time; that must be for a reason.

ALL REVIEWS

Sánchez's proposal has different virtues: forcefulness, dynamics, accessibility and, above all, an enormously brilliant soloist (himself), an overwhelming rhythm section and the strength of having created his project with a clear and decisive direction.
The interpreter and his people have wasted quality on all four sides, making his latest album grow even more.
His compositions are precise and colourful with arrangements that would be appropriate for a symphony orchestra.
Moisés P. Sánchez is able to distill the entire history of the genre and sound radically unique.
An amazing game of color and texture changes. Each part is a succession of highlights, peaks and valleys.  
Moisés P. Sánchez precisely and lucidly draws an increasingly personal and unmistakably genuine sound.
The notes fell on Moisés' piano like morning dew, fine, fresh, contrasting with a creative combustion filled with intellectuality and inspiration. -Pablo Sanz

As Benny Golson says: "What's the point of traveling to New York when you can have Moisés P. Sánchez?".
Throughout the album, Moisés Sánchez displays a very wide register that at times recalls the sound of a youthful Keith Jarrett.
The pianist from Madrid has become one of the most important figures in European jazz for his ability to play many styles that he incorporates into his way of understanding jazz through improvisation, arrangements, harmony and composition.
And proving once again that he is one of the great European pianists of the moment, Moisés manages to leave us wanting more.
It is an essential composition, a project hard to classify, which seeks to go beyond the boundaries of jazz and classical music.
He dazzles by the naturalness with which he is able to handle different languages, languages that he ends up making all of them his own, translated into an absolutely personal pianism.
'Metamorfosis' is one more step on the road that will necessarily lead Moisés P. Sánchez to international recognition as one of the great pianists of contemporary jazz.
A reflection of Moisés' enormous resources, Metamorfosis is the consecration of the creative springtime of an integral musician of enormous talent and work capacity.
Moisés seems to me to be the best pianist we have on our scene. And there are quite a few.
An audience follows him closely in the United States and Japan, where they have had their eye on him for a long time; that must be for a reason.